![]() ![]() We can’t keep making the same style of music.” Especially in this day and age, the trends in music and the trends in everything change so quickly that it’s smart of you to take note of the upcoming trends that are approaching and take advantage of them if you’re interested in them, if it’s something that you feel. How would you describe the difference in sound on this project as opposed to the 35 before it? R: I would say we were focusing on not forgetting about the old Suicideboys roots but also embracing, “Hey, we’ve been here for three years now. We need to do something different.” So this process was the most songs that got thrown away out of anything from Suicideboys’ catalog. This is a good direction.” And then on some of them we were like, “This just sounds like everything else we’re doing. Some of them we were like, “This is cool. R: We had a few songs we had recorded in the beginning, about 11 months ago. And it’s like, “What the hell else am I supposed to be doing?” ![]() Slick Sloth: For me, it was different because if I don’t work for one day, I felt like me and him were getting so behind. It was necessary to take that break to kind of recuperate the creative juices and take a step back and be like, “Where are we and where are we going?” Before, it was kind of like just putting our emotions out on the paper and recording it. still kept cranking out the beats because he’ll never stop with that. I personally could not come up with anything. struggling with, like you said, “OK, we have 35 releases out with 300 songs and 40 videos. Was it tough to go 11 months without releasing music? Ruby da Cherry: That’s an interesting question because it was tough-not in the songwriting process sense, but more so me and him trying to figure out what this next chapter of this would be. You guys released 35 or 40 EPs at a frantic clip, but then there was a big break before this album. (This interview has been edited and condensed for clarity.)
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